The important thing job of a songwriter is to publish a song. Not to do the song. Never to record the song. Not to promote the song. Not to offer the song. But to publish the song.
Most of your skill as a songwriter is to choose the right notes and right chords to opt for the right words and right song title and write them in to a song.
You write a song for whom?
Firstly, for the conclusion listener. The one who will actually emotionally and financially buy the song, either through purchasing a CD or record or purchasing a live performance of the song How Much is Tekashi69 Worth.
Secondly, for the record company, who’ll turn a song in to a product (like a record or CD) that can be sent to the conclusion user through radio or retail stores.
Thirdly, for radio programmers, who decide what their listeners will listen to.
Fourthly, for the performer of the song who has to supply a performance that the record company will want to capture and radio stations station will want to play.
Now you could argue for more people to be added to this list or for this list to be reordered. But essentially they’re individuals for whom a saving songwriter writes.
So, now you know who to publish for, how to become songwriter for these listeners is the main element question.
What key skills do you really need to become songwriter?
As a songwriter you need to learn how to write lyrics, how to publish melody, how to publish chords and how to publish your song as a lead sheet. As a song owner and seller you need to also learn how to find the song to demo and how exactly to record a compelling demo.
Put another way, as a songwriter, you are a lyric writer, a melody writer, a chord writer and a lead sheet writer. That is, to certainly be a songwriter, you need to write in these four dimensions.
You is actually a solo songwriter like Billy Joel and Bob Dylan do all four things yourself. Or you may engage in a partnership like Lennon-McCartney or Holland-Dozier-Holland and specialise in whether lyric or music role or move between the roles, with respect to the song.
So, how to become lyric writer is one of the sub questions of the big question: how to become songwriter.
The important thing skill is the ability to have the ability to tell a tale rather than just throw words or rhymes together. One of your key lyric skills is to have the ability to create song titles and then write your lyric around that.
There are many conventions about loading your chorus up along with your title lines and using your verse and bridge to aid that line. In addition you should try to learn to publish your story within conventional forms.
Fortunately, you can find plenty of resources both on and offline that will educate you on how to publish lyrics. Naturally, to become lyric writer you need to publish habitually and exercise your skills daily.
The task of melody
Unfortunately there is much less resource around that will support you in being a melody writer. Whereas there is a sound lyric writing literature open to songwriters, no comparable literature exists for melody writing skills.
A lot of what passes for melody writing advice lives is usually the twins of superstition and obscure theory in drag, neither of which actually tells the melody writer how to choose the best notes for his or her melody. Nor teach them how to become songwriter.
Both main melodic skills you need are the concepts of contour and span. Contour means melodic direction and shape and whether any given note reaches a greater, lower or same pitch as the previous one.
Jack Perricone identifies four contour shapes in his book entitled Melody in Songwriting: Tools and Techniques for Writing Hit Songs (Berklee Guide).
There are actually hundreds of contours, depending on what many notes you can find in your melodic phrase. These contours can effectively demonstrate how to become songwriter. At the moment there is only one melodywriting site online that educates songwriters about these melodic goldmines.
Span can be vital that you your melodies and ensures that you write for ordinary people who’ll sing and hum your melodies as they wash their car or vacuum their property or console themselves. Focus on span means you will write for your fans, not for virtuoso singers who never buy or sing pop music generally, aside from yours.
Anyone seriously wanting to know how to become songwriter won’t neglect melodic span.
Chords and harmony
Fortunately one area where songwriters are relatively well served is in the chord writing area. There’s no shortage of items that teaches you scales, chords and chord progressions. Compared to learning lyric writing and melody writing, learning scales and chords is straight ahead, like learning a yellow pages directory.
The more songs you write, the more you realise how secondary chords and voicings are when you’re dealing with the absolute core of songwriting: deciding which notes go best with which words.
Scales and chords aren’t useful at this time. They’re essential however when you have selected the notes and words for your song and it’s time for an arranger and a manufacturer to prepare your notes and words into voices and sounds that your fans will love.
Nevertheless, selecting the most appropriate chord for your melody is an important part of how to become songwriter.
So in being a songwriter you are being a lyric writer, a melody writer and a chord writer. But as important as these skills are, the most important skill has not been mentioned yet.
Rhythm to song is similar to oxygen your
A vital part of how to become songwriter is how to become talker, reader, writer and player of rhythm.
While we are able to think of rhythm as being a separate concept (and you can find good reasons because of this view) it is so embedded in lyric, melody and harmony, that you might want to know the way rhythm integrates each aspect as well as how it separates from each too.
Words contain meaning and rhythm. Melody consists of pitch and rhythm. Harmony consists of simultaneous sound and rhythm. Rhythm consists of rhythm and timbre. There’s no escaping the significance of rhythm and understanding, talking, reading, writing and playing rhythm is really a key part of how to become songwriter.
Again, like melody, the headlines is not so hot here.
Ethnomusicologists report on many cultures around the globe who have rich, verbal languages for counting and talking rhythm. Musicians of South India are rich in this regard. Musicians of the west aren’t so blessed. Which slows our rhythm education down a bit. And hamstrings us as songwriters if we do not overcome this handicap.
Fortunately with the emergence of rhythmeggio–which is such as the solfeggio for rhythm—songwriters now have a simple to master language that enables them to talk, read and write rhythm like their first language.
And speed up their understanding of how to become songwriter and their ability to publish a satisfactory number of songs to acceptable levels much faster than they otherwise would.
How to become songwriter in summary
So the keys areas of successfully knowing how to become songwriters lie in becoming proficient at writing lyric, at writing melody, at writing chords which in turn is accelerated by your ability to talk, read and write rhythm.
These are the skills that allow you to pick the right notes and right chords to go along with your words and song title and so earn you the right to call yourself a songwriter.